Tagged with The Late Late Show

RTÉ’s Greatest Themes

This LP was released by our national broadcaster in 1987 to celebrate 25 years of television and 60 years of radio. It was marketed by that old reliable, K-Tel, on foot of a vigorous advertising campaign. The premise is pretty straightforward – one side devoted to television, the other to radio. In both instances selections of themes are played with panaché by The RTÉ Concert Orchestra.

The 15 minute suite of television themes serves up a feast of nostalgic thrills for anyone aged over 30 who grew up on a diet of one/two channel television. Most of the memorable ones are present. For the children we have Wanderly Wagon and Bosco while the Wesley Burrowes triptych that is The Riordans/Bracken/Glenroe is present and correct.

Sports fans will be delighted with the theme to that Saturday afternoon staple Sports Stadium (1:40pm – after The Wonderful World Of Disney/Daktari/The Invisible Man – take your pick) and the evergreen stomper that is James Last’s Jägerlatein a.k.a. The Sunday Game.

Current affairs are represented with News and Newstime, Today Tonight and 7 Days. The first two are reasonably groovy. Hats off to the orchestra for their stirring rendition of To Whom It Concerns – theme for the world’s longest-running chat show, The Late Late Show.

Here’s the first part of “Television Themes Down The Years”.

A competent cover of the Dallas theme tune follows. For those of us who grew up in Ireland during the 1980s, Dallas on a Saturday night was a ritual. Usually watched after a bath while drying one’s hair by the open fire.

Side 1 concludes with The American Connection – a medley of three classic cop/private eye shows. Hill Street Blues is reprised towards the climax.

The flipside is a different story and is likely to be of more interest to those of more advanced years. It’s all about the radio. Music On The Move is nicely funky and is taken from the Chappell library. Other melodic choices include Living With Lynch and the Irish Hospitals Trust while Hospital Requests‘ use of a Gershwin melody is oddly sentimental. My favourite remains Tico’s Tune which soundtracked The Gay Byrne Show for all those years.

Two traditional compositions conclude the LP – dramatic and expertly honed versions of An Chuilfhionn and The Raggle Taggle Gypsy (made famous by Planxty).

Full tracklist

Side 1
01 Television Themes Down The Years
(a) 7 Days (b) The Palatine’s Daughter – The Riordans
(c) Here Comes The Wagon – Wanderly Wagon (d) Today Tonight
(e) To Whom It Concerns – The Late Late Show
(f) Eireodh Mé Amárach – Glenroe (g) Strumpet City (h) Bracken
(i) Thrilling Spectacle – Sports Stadium (j) Murphy’s Micro Quiz-M
(k) Tolka Row (l) Bosco (m) Mart And Market
(n) Classical Action – News And Newstime (o) The Shadows
(p) Jägerlatein – The Sunday Game
02 Dallas
03 The American Connection
(a) Hill Street Blues (b) Magnum P.I. (c) The Rockford Files

Side 2
04 Radio Themes Down The Years
(a) O’Donnell Abú (b) O’Donnell Abú
(c) Fish And Sticks – Music On The Move
(d) The Wibbly Wobby Walk – The Town Hall Tonight
(e) A Fair Day – The Kennedys Of Castleross
(f) The Old Turf Fire – Round The Fire
(g) Someone To Watch Over Me – Hospital Requests
(h) Perpetuum Mobile – Question Time (i) Le Jet d’Eau – The Foley Family
(j) The School Around The Corner (k) Three Little Words – Living With Lynch
(l) When You Wish Upon A Star – Irish Hospitals Trust
(m) Tico’s Tune – The Gay Byrne Show
05 An Chúilfhionn – Nordring ’78
06 The Raggle Taggle Gypsy – Nordring ’78

In an ideal world the original versions of all these themes would have been compiled with extensive sleevenotes in some sort of fancy box set. However this highly enjoyable interpretation from the RTÉ Concert Orchestra is probably as much as you’ll ever get.

I’ll leave you with the second part of “Television Themes Down The Years”.

(by nlgbbbblth)

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Spinning Class

[Today's guest post is by Lisa Carey. Lisa explains things for a living, mostly to humans. When not writing about stuff, she plays clarinet and keyboards with zombie noiseniks The Jimmy Cake and tweets nonsense at @msleedy].

Ah, to be in primary school in early 80’s Ireland, where some sort of pre-internet mind meld meant that every so often, suddenly everyone was “into” the latest vaguely pointless craze. Fancy paper. Tying patterned shoelaces round your head in the manner of a proto-Axl Rose. “Illuminous” socks. Deely boppers. “Doing Buck’s Fizz”. Watching That’s Life after you’d done your homework on Sunday in the hope that there’d be a talking dog and not just an exposé of Guar Gum. And, of course, Coca-Cola Spinners.

A Spinner was, basically, a yo-yo, blinged out with Fanta or Coca-Cola colours and logos. Like this:

Of course, I know now that they were called Spinners rather than yo-yos for legal reasons – yo-yo was a trademarked term here in 1981, so they were marketed as Russell Spinners instead. But at the time it made them seem like an exotic new toy, not a boring old yo-yo.

Not only did they have a shiny name and shiny covetable colours just like their namesake minerals, they also had a further secret weapon of coolness: the professional Spinner experts. One afternoon in school we were all marshalled outside the prefabs to watch a group of hyped-up cola representatives demonstrate Amazing Feats Of Spinning. Beverage-themed plastic yo-yos “walked the dog”, hovered in mid-air, defied gravity, formed cat’s cradle patterns, always whipping back into the operative’s hand with a satisfying “thunk”. There was talk of competitions, giveaways, special prize Spinners. The Spinner experts were on the Late Late. Suddenly being able to do yo-yo tricks had instant cachet.

Soon like every other child that summer, I got my Spinner, purchased in the local newsagents. I went for the red Professional one, not because I particularly cared about weight and handling (apparently the clear-edged Professionals were slightly heavier than the opaque-edged Supers) but because I liked the colour. I was that serious about my yo-yoing career.

I can still remember the plasticky smell of the thing, the glowing boiled-sweet beauty of the translucent red bits (bear with me, it was the 80s), and the brisk whizz as it whirled its way down the string. And, well, stayed there. But no matter! I was going to be like the Coca-Cola Spinners team. I would do tricks! I would amaze my friends!

One major problem with this plan was that I was possibly the least coordinated child in Ireland. I was the kid at tennis in school who wasn’t given a ball. No, I just had to stand beside the gym and practice “making shapes like a banana” with my tennis racquet. My haplessness in all feats of physical dexterity was such that I have no idea why I became convinced that I could become a yo-yo expert.

First, of course, I would work on “back up”. Whizz. Nothing. Roll it back up. Whizz. Nothing. Roll it back up. This went on for some time. I became convinced that there was something wrong with my Spinner and handed it to a more dextrous friend, who promptly whirled it into something resembling an Escher painting, still spinning, then snapped it back up into her hand. Back to the drawing board.

Of course, with persistence, even the most cack-handed child can figure out how to operate a yo-yo, and for some reason I persevered with the Spinner for longer than I had with, say, the tennis racquet. Finally I mastered the flick of the wrist needed to propel the thing down the string with such force that it shot back up again, and was able to move on to other vital life skills such as clicking my fingers (eventually mastered in a Gaeltacht céilí aged 14) and drinking.  And I’m proud to say, it’s like riding a bike – to this day, I can make a yo-yo go back up the string. Still need to work on “walking the dog”….

(Before writing this I hadn’t realized there were multiple Coca-Cola Spinner campaigns – there was a second, much-documented campaign in 1989, when I was in college and only interested in Fanta if it had gin in it. As far as I can remember, “my” Spinner mania took place in 1981.)

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